#"bengleroslo", "title"=>"Bengler", "description"=>"", "url"=>"https://bengleroslo.tumblr.com/", "uuid"=>"t:qSw9lPeH33xabeMHxbVcnw", "updated"=>1491508084}, id=151421777754, post_url="https://bengleroslo.tumblr.com/post/151421777754/context-as-content-mapping-the-contemporary-at", slug="context-as-content-mapping-the-contemporary-at", date="2016-10-06 11:07:59 GMT", timestamp=1475752079, state="published", format="markdown", reblog_key="7zbwGq36", tags=["panda"], short_url="https://tmblr.co/ZpJC3s2D1SFTQ", summary="Context as content: mapping the contemporary at the 2016 Oslo Triennale with OMA, Andrés Jaque and more | Features | Archinect", should_open_in_legacy=true, recommended_source=nil, recommended_color=nil, note_count=0, title="Context as content: mapping the contemporary at the 2016 Oslo Triennale with OMA, Andrés Jaque and more | Features | Archinect", url="http://archinect.com/features/article/149968920/context-as-content-mapping-the-contemporary-at-the-2016-oslo-triennale-with-oma-andr-s-jaque-and-more", link_image="https://66.media.tumblr.com/fb5045a40bd61f675d4cb48201fc6969/tumblr_oemhlbpqhz1ssu7oq_r1_og_540.jpg", link_image_dimensions={"width"=>540, "height"=>393}, link_author=nil, excerpt="Maybe the closest thing to new construction in After Belonging, the sixth Oslo Architecture Triennale, is an apple press assembled with two 2x2’s, some nails, a saw, a gallon bucket, a heavy pole, a colander, a hammer, a plastic bag, a funnel and a car jack. Eriksen Skajaa Arkitekter...", publisher="archinect.com", photos=[{"caption"=>"", "original_size"=>{"url"=>"https://66.media.tumblr.com/fb5045a40bd61f675d4cb48201fc6969/tumblr_oemhlbpqhz1ssu7oq_r1_og_1280.jpg", "width"=>540, "height"=>393}, "alt_sizes"=>[{"url"=>"https://66.media.tumblr.com/fb5045a40bd61f675d4cb48201fc6969/tumblr_oemhlbpqhz1ssu7oq_r1_og_540.jpg", "width"=>540, "height"=>393}, {"url"=>"https://66.media.tumblr.com/fb5045a40bd61f675d4cb48201fc6969/tumblr_oemhlbpqhz1ssu7oq_r1_og_500.jpg", "width"=>500, "height"=>364}, {"url"=>"https://66.media.tumblr.com/fb5045a40bd61f675d4cb48201fc6969/tumblr_oemhlbpqhz1ssu7oq_r1_og_400.jpg", "width"=>400, "height"=>291}, {"url"=>"https://66.media.tumblr.com/fb5045a40bd61f675d4cb48201fc6969/tumblr_oemhlbpqhz1ssu7oq_r1_og_250.jpg", "width"=>250, "height"=>182}, {"url"=>"https://66.media.tumblr.com/fb5045a40bd61f675d4cb48201fc6969/tumblr_oemhlbpqhz1ssu7oq_r1_og_100.jpg", "width"=>100, "height"=>73}, {"url"=>"https://66.media.tumblr.com/fb5045a40bd61f675d4cb48201fc6969/tumblr_oemhlbpqhz1ssu7oq_r1_og_75sq.jpg", "width"=>75, "height"=>75}]}], description="
OMA and Bengler’s collaboration, PANDA, appropriates an activist aesthetic in a wry installation that both critiques the sharing economy and assumes its language, “at once an act of resistance and a business opportunity”
", reblog={"comment"=>"
OMA and Bengler’s collaboration, PANDA, appropriates an activist aesthetic in a wry installation that both critiques the sharing economy and assumes its language, “at once an act of resistance and a business opportunity”
", "tree_html"=>""}, trail=[{"blog"=>{"name"=>"bengleroslo", "active"=>true, "theme"=>{"avatar_shape"=>"square", "background_color"=>"#FAFAFA", "body_font"=>"Helvetica Neue", "header_bounds"=>"", "header_image"=>"https://assets.tumblr.com/images/default_header/optica_pattern_06.png?_v=c5e9c9bdca5f67be80d91514a36509cc", "header_image_focused"=>"https://assets.tumblr.com/images/default_header/optica_pattern_06_focused_v3.png?_v=c5e9c9bdca5f67be80d91514a36509cc", "header_image_scaled"=>"https://assets.tumblr.com/images/default_header/optica_pattern_06_focused_v3.png?_v=c5e9c9bdca5f67be80d91514a36509cc", "header_stretch"=>true, "link_color"=>"#529ECC", "show_avatar"=>true, "show_description"=>true, "show_header_image"=>true, "show_title"=>true, "title_color"=>"#444444", "title_font"=>"Gibson", "title_font_weight"=>"bold"}, "share_likes"=>false, "share_following"=>false, "can_be_followed"=>true}, "post"=>{"id"=>"151421777754"}, "content_raw"=>"
OMA and Bengler’s collaboration, PANDA, appropriates an activist aesthetic in a wry installation that both critiques the sharing economy and assumes its language, “at once an act of resistance and a business opportunity”
", "content"=>"
OMA and Bengler’s collaboration, PANDA, appropriates an activist aesthetic in a wry installation that both critiques the sharing economy and assumes its language, “at once an act of resistance and a business opportunity”
", "is_current_item"=>true, "is_root_item"=>true}], can_like=false, can_reblog=false, can_send_in_message=true, can_reply=false, display_avatar=true>